Monday, 19 April 2010

Taken by Storm


In the previous post I hinted out that I was about to leave and engage on some "mission" and hoped that it would be successful. If you thought that I was going on some secret NASA mission to the moon, then I am afraid I am about to disappoint you. Or if you (more realistically) expected me to write about some overtime work related to my PhD and which involved me going to the MoD for some classified data on terrorism, then I suggest that you close this and proceed to Google and find some other interesting article. The mission was simple: seeking out to meet one of my idols from the music scene - Storm Thorgerson, the artist who created virtually all of the album covers from Pink Floyd and many other rock legends, including Muse and Led Zeppelin.

Last week I got an email from one of my colleagues that there is going to be an exhibition of Storm's album covers in a London art gallery. The email included a link to the event's website and, upon browsing, I realised that Storm was actually going to be at the venue on the Sunday!! After meeting Rick Wright (Floyd pianist), this was the next best "personal" link to the greatest progressive rock band of all time! So after a massive Sunday lunch, I headed off to Liverpool Street and, after a quest for an art gallery tucked away in a minor side street (a building which, in itself was also worth visiting), I walked in to meet the brains (quite literally) behind covers in the like of The dark side of the moon, Wish you were here, A momentary lapse of reason, Delicate sounds of thunder, Division bell and Pulse: pure, classic Floyd.

The girl at the desk (unnecessarily) said that, "Storm the artist was in today" and, upon the subsequent question of my Italian friend, "Where is he?", I impulsively yelled, "There he is!", as if I was talking about an acquaintance who was expected to meet me at that place and time! I spotted the man, seated leisurely behind a modest white table, sporting a Syd Barrett T-shirt (obviously), walking stick on the side, wife on the other, dog playing at his feet and a simple half-eaten lunch. I had to satisfy my initial thrill by asking Storm to take a picture with him, a request which he gladly granted. It was too good to be in the presence of a man who had so closely collaborated with the Floyd on numerous occasions, probably in the company of ashtrays with a heap of burnt out cigarettes, intentioned to fuel brainstorming debates, scribbling and album cover sketches.

The purpose of the trip, i.e., the exhibition itself was then fulfilled. A tour of the gallery which was filled with signed prints and accompanying explanatory notes by Storm himself which were completely wonderful. The insight of the artist behind each album cover, written in fluent, plain English but underlying the thoughtful concepts explored and portrayed in no 'random' or 'simple' manner totally overwhelmed me. From the simplicity and boldness of the classic Dark side prism image to the more physically challenging Momentary lapse cover with its 700 beds on a beach and the surreal Black holes and revelations cover, the genius of Storm's design-oriented mind was confirmed.

It was then time to purchase an awesome book featuring Storm's works, with full colour images and his own explanation behind the ideas portrayed. And, naturally, it was mandatory to have the book signed by the artist. In his modest, friendly way, Storm wrote a message on the first page: "To Karl, not Walter; From Malta. not Gibraltar. Storm Thorgerson, 2010": a spontaneous, simple outburst of poetry which was highly personalised and away from the usual cliches of authors but yet another unrehearsed exhibition of his creative touch. The Malta reference was added after Storm's question as to which is my home country. I incorrectly assumed that he was not aware of what/where Malta is, but Storm is quite well versed in geography as I soon discovered...

Storm said he knew all about Malta, which I thought was bluff. But then when I happened to mention that Roger did a concert in Malta back in 2006, he asked, "Was it at Valletta?" which clearly was his implicit reply, "See, I even know the name of your capital city!" And Storm likened Malta to Gibraltar in his "poem" simply to further prove that he knew Malta was an ex-colony in the Mediterranean, just like Gibraltar! I shared the memories of the magical night when Roger played the whole of Dark side in his Malta concert and then played "Wish you were here" in the memory of "all those who are no longer with us", which clearly referred to Syd Barrett who had died earlier that night but which unfortunate event had not yet been made public (presumably, Roger knew of his demise). Storm did not know this fact and retaliated by stating that he had suggested to Floyd the title "Wish you were here"...a novel fact indeed to my ears.

All in all, it was a unique experience which concluded an awesome weekend and which provided me with enough momentum to face another week of hard work, which I anticipate to be packed with partial differential equations, Laplace transforms and wave equations...but let me not infect this post with such matters!

And, by the way, the image in this post is courtesy of Luca Modenese, who quite skilfully captured me talking away and heavily exhibiting my Mediterranean tendency to make generous use of hand gestures and, at the same time, displays Storm in his split second departure from the real world whilst formulating his 'poem'.

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